Like another comedy about the wrong Americans sent overseas, Bill Murray's "Stripes," ''The Interview" is better on American soil and on less sure footing once it lands in North Korea. This is partly logistical. Though "The Interview" obviously couldn't have shot on location and had limited images to draw on for its sets, the movie fails to create even a half-plausible North Korean atmosphere and is left claustrophobically meandering almost entirely in palace interiors.
Their first meeting with Kim (Randall Park) isn't a regal pageant; he just knocks softly on Skylark's door and eagerly introduces himself as a "huge fan." One of the real disappointments of the film's cancellation is that people may never get to see Park's performance. His Kim is more complex than the broad caricature you'd expect: He's a jovial young leader haunted by daddy issues, having been called soft by his father for adoring American pop culture. He's a surprisingly agile basketball player and a lover of Katy Perry songs.
Even in North Korea, Rogen and company are more at home in American pop: Western civilization is more the target of "The Interview" than the DPRK.
As Skylark's interview nears, their assassination attempts fail and ethical quandaries mount. Skylark and Kim ("a cool guy," pleads Skylark) become fast friends, palling around together and shooting off tanks. If anything, the film, written by Dan Sterling from the story by Goldberg and Rogen (their second time directing after the better "This Is the End"), verges on making Kim too likable.
And while the movie leads to a fiery end and a slow reveal of the famine Kim inflicts on his people, most who see "The Interview" will say to themselves: THIS is what prompted an international incident? There's nothing scandalous about "The Interview," unless you happen to believe Kim is a god who rides around on unicorns.
Despite the large presence of Park's dictator, this is really Franco's movie. Seemingly energized by his more outlandish performances (like his Alien in "Spring Breakers"), he's here in full, grinning Jerry Lewis-mode, a rubber-faced infotainment parody. His chemistry with Rogen is predictably solid.
Charlie Chaplin, Ernst Lubitsch and the "South Park" guys have all tried before to find comedy in the shadow of evil and thereby do a little to disarm it. "The Interview" struggles to really illuminate anything about the stranger-than-fiction Orwellian nightmare that is North Korea, but its attempt is admirable. It deserves to be seen.
And, yes, having your film taken down by a totalitarian regime wins you an extra star.
"The Interview," a Sony Pictures release, is rated R by the Motion Picture Association of America for "pervasive language, crude and sexual humor, nudity, some drug use and bloody violence." Running time: 112 minutes. Three stars out of four.